Apocalypse

Fun Books for the End Time

Two Bestsellers with Unhappily-Ever-After Endings

As if life weren’t dramatic enough, I’ve been reading novels that predict humanity may not recover from its abuse of the natural world.

Margaret Atwood’s Oryx and Crake imagines a near-future wasteland created by genetic experiments gone wrong. In an interview, Atwood explained the book’s eerie hybrids and collapsing ecosystems as a warning: “What if we continue down the road we’re already on? How slippery is the slope? Who’s got the will to stop us?”

For decades Atwood clipped bizarre items from the back pages of newspapers. What seemed paranoid fantasy then, she noted, often became reality. One telling example: she finished the book in the shadow of 9/11. “It’s unsettling when you’re writing about a fictional catastrophe and then a real one happens. I thought maybe I should turn to gardening books. But what use are gardening books in a world without gardens or books?”

Cormac McCarthy’s The Road strips the apocalypse bare. A father and son wander a nuclear-winter landscape, dodging cannibal gangs, scavenging for scraps, urging each other not to lie down and die. The prose is hypnotic, the mood ash gray. Yet beneath the bleakness, McCarthy insists that love can redeem even when redemption seems impossible.

Both novels echo earlier warnings—particularly in George Orwells’ 1984 novel Brave New World—that something “false within” is driving humanity to ruin. The Bhagavad Gita diagnosed the same disease millennia ago: “The demoniac say this world has no God in control, that its main moving force is sex, and following such conclusions they engage in unbeneficial, horrible work that can destroy the world. ‘So much is mine now,’ they tell themselves, ‘and it will increase in times to come.’”

Unlike novels which often offer no way out, the Gita provides a frame of consciousness that transcends borders and politics. Bhakti—the vision of all life as sacred—has the potential to be a practical program for social reform, but it will require compassion, respect for nature, and concern for the wellbeing of all. Disasters may come, but in a culture guided by devotion, they need not be final. A simple acknowledgment of life’s sanctity opens access to unseen resources and creative ideas for restoration. Even a hint of humility, the Gita suggests, can nudge humanity and the natural world back on track.

The Gita may lack the page-turning thrills of apocalypse novels (for that, see its parent epic, the Mahabharata). But for readers who want to close a book feeling more hopeful than horrified, the Gita is the ultimate survival manual.

baa shev tov

Tell The Story

Friends,

I don’t know about you, but I’m not an enlightened yogi, and I don’t think any of the people I’ve met in Bhagavad Gita classes are either. None of them can shoot fire from their eyes, make an apple manifest from thin air, or float. What they can do is melt my heart. With few exceptions, people attending these classes are beautiful souls, hungry for joy, and fumbling at the lock of transcendence with keys that don’t quite fit. But they keep coming. I’ve often wondered why. Then I came across the following story told by the late Holocaust survivor Elie Wiesel, and it gave me a clue.

Israel ben Eliezer, known as the Baal Shem Tov (c.1700-1760), the healer and mystic who founded Hasidic Judaism, looked out at the world and saw disaster stalking everywhere. So he went into the forest, found the place where rituals were performed, lit a sacred fire, recited mystic prayers—and the disaster disappeared.

In the following generation, disaster again rose its head. But the Baal Shem Tov had passed away, and his disciples did not know the location of the place of rituals. They only knew how to build the sacred fire and recite the mystic prayers. But it was enough, and again disaster was avoided.

Then came the next generation, and when disaster again threatened, followers knew neither the location of rituals nor how to light a sacred fire. They knew only the mystic prayers. But once again, it was enough, and disaster dissolved away.

Then came yet another generation, and this generation knew nothing of sacred places, healing fires, or mystic prayers. All they knew was the story of the Baal Shem Tov and how the generations after him had worked with whatever tools they had to heal the world.

So, that was the story they told. They told it to one another, to others, and the people listened to it and passed it along. Words—just words. But the words were enough to inspire a new generation, and by the telling of the story, once again disaster was averted.

And us? We’re not mystic healers. We’re not even exceptional students. We are the tail end of a long inheritance, frayed, fragile, pieces missing. But we can tell the story and pass it on. We can tell it wherever we are, in classrooms, in kitchens, in parks or any place where people gather, wherever ears are open.

And when the story is told from the heart, something moves in the hearts of others. The mystery rises from obscurity, and the world shifts a little, and maybe, just maybe, disaster steps back.

Don’t wait to be holy. No need. Just keep coming, and we will regale one another with stories from long ago and far away—or from yesterday and next door. Everyone is the vehicle for a powerful story. It just needs to be told from the heart.

Tell your story. That’s how we fight disaster. That’s how we survive and grow.

Fondly,
Yogesvara

on the beach

On The Beach

In the 1970s, during one of my first visits to India, I found myself standing on the edge of the world. Or so it seemed. It was late one night, and I was walking on Juhu beach, on the outskirts of Bombay, gazing up. This was at a time when the city was still developing into the nation’s commercial hub, and there were as yet no nighttime lights behind me from 24-hour shops or factories, nothing to disturb the darkness. In that majestic canvas where the ocean met the sky, there was no telling where the world ended or the heavens began. The waves lapping the beach sounded like gentle breathing, whoosh, sigh, whoosh, sigh. The landscape before me was beautiful, hypnotic, and stretched on forever.

In that moment, something happened that I can only describe as mystical. I felt myself lifted off the sand and hurled through the blackness overhead. I wasn’t scared. It was exhilarating to be weightless, untethered from the earth, thrilling to leave troubles behind and soar outward, liberated from flesh and bones and all thought. I was no longer concerned about anything. I became someone else, someone free and infinite. I don’t know how long the experience lasted, but the memory has endured to this day.

Is Krishna real? Are we, as 16th century avatar and saint Chaitanya taught, sparks of Krishna’s fire, eternal beings, free and infinite, who shine on long after this life has crumbled to dust? If we consider the suffering and injustice that surrounds us, the sadness and broken lives, the idea that we are divine beings doesn’t make much sense. Human history is not uplifting. It’s tragic. And from a purely rational assessment, there isn’t much evidence of a benign, beneficent creator or a nonmaterial self that survives death. Still, after more than a half-century of chanting mantras, of self-reflection and study, I find myself holding to that conviction—not because of any solid, empiric evidence, but because I know how it makes me feel: energized, hopeful, a glass-half-full feeling. It is the kind of universe I choose to live in.

My children are extraordinarily bright, and they will come to their own conclusions, but they can only do that if they have a choice, if a world in which people love one another as sacred beings is an option. Maybe I’m wrong. Maybe humanity is condemned to its physical, biological, evolutionary impulses. Maybe people who pigeonhole Krishna as nothing more than a metaphor have reason to think the way they do. For myself, he’s quite real, and even if judged as only a metaphor, he is no doubt the most beautiful metaphor, an irresistible metaphor, one that inspires us to be more than we have been.

If you ever find yourself someplace like that beach in Juhu, just you and the universe, take a moment to look up and fly away. It’s a helluva a ride.